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Heavy Matters

Chris Fletcher visits the Kantor Exhibition


I don’t think it is a controversial statement to say that over the last few years in particular, the metal scene at large has been on fine form with potential future classics being released on a monthly basis in all different subgenres. During this fertile period the album artwork of Eliran Kantor has become synonymous with quality, with Eliran’s artwork almost acting as a seal of approval because artwork this cool can’t be slapped on any old record, the bar is high.


Eliran Kantor’s art has adorned metal albums for a number of years now and the bands he has worked with cover all manner of subgenre with both established bands and up-and-coming acts employing his services. In the last few years alone albums by legendary bands like Kreator and Blind Guardian have received the Kantor treatment and the results have been nothing short of spectacular.


It was with great excitement then that I read the announcement that Eliran Kantor’s first UK exhibition of his artwork would be held at a record store in my neck of the woods, although truth be told, this is worth travelling for regardless. Located in the unassuming town of Wallasey, this haven for all things heavy metal culture is a godsend for those of us of the extreme metal persuasion, selling records, books and art prints with a selection varied enough to whet any metalhead’s appetite. For this reason, Dark Earth Records was the perfect location for this event and I couldn’t wait to head on down and immerse myself in it.


As you can see from the accompanying pictures, this exhibition was everything you could hope for. Stunning artwork displayed and lit in a way that suits it to a tee, with background music to fit the vibe (Metallica was blaring out during my visit) was a match made in heaven. Album artwork that I was already familiar with such as Venom Prison’s ‘Erebos’, Thy Art is Murder’s ‘Human Target’ and Malevolence’s ‘Malicious Intent’ all looked even better blown up bigger and hung on a wall whilst the personal highlight was Testament’s 2020 ‘Titans of Creation’ the colours of which seemed to take on another dimension in this setting.


Another truly thought-provoking piece was ‘The Hangman’ from the album by the band Artizan which I was previously unfamiliar with.


All in all, this was a wonderful experience, an opportunity to get involved in heavy metal culture in a way that differs from the usual setting of a gig or a rock pub. The artwork was as magnificent up close and personal as you would hope and the location was ideal. A truly 10/10 day out.



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